Hello my readers,
Back in the 1990's, when I was growing up in Russia, we thought that Brazilian life was like a...
telenovela. A soap opera - passionate, dramatic, people cheating left and right.. haha, just kidding. But the
telenovelas, from both Brazil and Argentina, were hugely popular then in Russia and did establish a certain idea we had of these countries. Just like watching American cinema quickly became a normal part of life of a Russian child like me, as if it was always like that (which it wasn't for many years in Russia - I don't believe a history lesson is needed here).
We know now, fortunately, that it's not all like in a
telenovela. Soap operas do stay immensely popular in Brazil though, and it's a daily routine for many to watch one after another in the evenings. Polished as they may be, to some extent they still reflect the culture after all, just as music and cinema do and have done for many decades also, and will continue to do as their makers reinvent and keep challenging themselves. And music, dance and cinema are huge presences in Brazil.
This past week - and may I say in response to my own previous blog post that
now winter has actually finally arrived in the Netherlands, with snow (which crunches under my feet quite nicely but makes them sooo cold) and chaos on the roads and everything - Rotterdam was the proud host again of the annual International Film Festival Rotterdam (IFFR). The IFFR is a huge deal, there are hundreds of movies shown from all over the world and people from everywhere come to watch the films, their directors included. I actually wish it was there for longer than ten days, so I could manage to go more than once... but still, for the third time in my life, I've caught a film at the film festival in Rotterdam this week. There were a great many Brazilian movies showing this year, though might I say some of them quite explicit ;) As I scrolled down the South American list, I came across what turned out to be a really nice film (and not explicit, hahaha) called
Rania. The film is about a 16-year-old girl - Rania - from the favelas of Fortaleza (a city on the seaside in the far, far Northeast of Brazil), who dreams of being a dancer but struggles against various obstacles, many as a result of her socio-economic situation.
What's interesting about this film, it was directed by a woman and you can see that in the softer, feminine perspective throughout, such as in the characters' portrayals, scenes based on daily life, softer contours and colours... or perhaps it was my perspective on it ;) What's great is that the director was also present at the showing and after the film, she was able to tell us a bit more about it, which was good to complete the understanding of how this film, for instance, reflects some issues in Brazilian society nowadays. One such example would be the relative difficulty of access to art education by the lower classes in Brazil which the director pointed out, and which features widely in the film.
It also caught my eye that the sea and the beach really do play a big role in the lives of people living along the coast in Brazil, as they were also featured prominently in the movie. In Rio, for example, the beach plays an important part of life and it is a place where everyone comes to, no matter whether they live in the fancy houses with security systems in Ipanema or the favelas in the hills around. In Fortaleza, too, the sea seems to play an important part in life, and banal as it may seem, Brazilian life along the coasts must generally also depend much on its proximity to the water, it is not for nothing that they call the country a 'crab civilization'.
As I already admitted, for a long time my main impression of Brazil was based on the
telenovelas I used to watch as a young girl (I wasn't the only one back in the day though!), which was years later expanded by studying a bit about Brazil in anthropology classes at university. This included watching Brazilian movies - such as the famous
City of God (
Cidade de Deus) and
Bus 174, both realistic and harsh portrayals of life for those from poorer backgrounds in Brazil. Where
Rania stimulates one to reflect on continuing inequality in Brazil in terms of dance and cultural education and opportunities (or lack thereof) for the youth, films such as City of God are almost like a fist in the face; and at the same time still show the vulnerable side of that aspect of Brazilian society.
Some time ago now, a week after coming back from Brazil actually, I also caught a Brazilian film called
O Pai O at the open air film festival in Amsterdam.
O Pai O is set in Salvador, the capital of Bahia in the Northeast, and doesn't hide the ups and downs of Brazilian life, either, but does so with significant Carnaval flair and happy-go-lucky music. The film takes place during the final days of Carnaval in Salvador and evolves around several characters, and it's colourful, bright, euphoric, sad, and of course full of music, all at the same time. They say that Salvador might now be overtaking Rio with its street parties at Carnaval, so this is a great movie to see for those who want to catch a glimpse.
There is also a great Brazilian comedy (with an inevitable sequel, which is less good, but still amusing) called
Se eu fosse voce (
If I were you). It's actually not so much about social criticism, and funnily enough it's even made quite in the style of
telenovelas, so you can draw a breath - I won't go into Brazil's socio-economic challenges anymore for now. What's funny about it, the film actually stars an actress I remember back from watching the soap operas in the 90's - in fact, both principal actors are famous from
telenovelas. I won't go into the plot though as I don't want to spoil it for anyone who might potentially want to see it! But in any case, though just slightly superficial, it's a great breath of fresh air (waved down from the beaches in Copacabana, as it takes place in Rio).
Hmm actually I've come to the end of my first hand knowledge of Brazilian cinema as these are the films I have seen (plus
Rio, which, ok, is from the US, but the director is Brazilian so technically there is something rather Brazilian about it, like the music), so I'm now going to round up this post. (The history of Brazilian cinema is pretty interesting, too, but that you can google ;)) There are more Brazilian movies I'd want to see, too:
Estacao Central,
Tropa de Elite, and such... and I must admit, I sometimes miss watching the telenovelas, too - they still do make for great entertainment when you want to forget about all kinds of stupid things by watching others doing stupid things, and they would now be very handy for practicing Portuguese.
Well, this was it for now, I actually just wanted to reflect a bit on Brazilian cinema and its power to reflect and show us different facets of its culture, and its challenges and opportunities...
...até logo!